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The production opened in Melbourne at Her Majesty's Theatre on March 15, 2022, one year following the opening in Sydney. The company performed a Ham4Ham show on March 22, 2022, before the official opening night on the 24th. A mashup of iconic Australian songs mixed with the Hamilton soundtrack was performed by the cast and written by Alex Lacamoire. The Melbourne production received overwhelming positive reviews, with Jason Arrow's performance praised, with The Age saying that Arrow "wipes the floor with Miranda’s performance in the Disney+ version".
It is revealed that most of the other applications are also Hamilton parodies. Pence listened to the expression of concern about President-elect Donald Trump's upcoming administration and later expressed that he was not offended. However, Trump demanded an apology for what he described on Twitter as the cast having "harassed" Pence. This led to an online campaign called "#BoycottHamilton", which became widely mocked as the show was already sold out months in advance. Jeffrey Seller, the show's lead producer, said that while Trump has not seen Hamilton or inquired about tickets, he is "welcome to attend." S journey from an idea to a successful Broadway musical.
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Northwestern University announced plans to offer course work in 2017 inspired by Hamilton, in history, Latino studies, and interdisciplinary studies. S producers have made a pledge to allow 20,000 New York City public high school students from low-income families to get subsidized tickets to see Hamilton on Broadway by reducing their tickets to $70 for students, and the Rockefeller Foundation provided $1.5 million to further lower ticket prices to $10 per student. The Gilder Lehrman Institute of American History created a study guide to accompany the student-ticket program. Australian historian Shane White found the framing of the show's story "troubling", stating that he and many historian colleagues "would like to imagine that Hamilton is a last convulsion of the founding father mythology". In regards to the creation and reception of The Reynolds Pamphlet, Jefferson, Madison and Burr did not approach Hamilton about his affair after John Adams became president; it was actually James Monroe, Frederick Muhlenberg and Abraham Venable in December 1792.
Monteiro identified other commentators, such as Ishmael Reed, who criticized the show for making Hamilton and other historical personages appear more progressive on racial injustice than they really were. The names of many main characters, including that of Elizabeth Schuyler Hamilton, are given a unique melodic motif that is repeated throughout the musical Hamilton in various keys, tempos, and timbres depending on the context. This is one example of how Hamilton weaves melodic and lyrical reprises into later songs in the score in order to cue an emotional response. The Hamilton cast and crew greeted President Barack Obama on July 18, 2015. This performance was led by Miranda's then-alternate, Javier Muñoz , in the titular role, while Miranda accompanied Obama in the audience.
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On December 21, 2018, less than a month away from opening night, negotiations between the show's production and the local faculty and staff union shifted the three-week engagement to the Luis A. Ferré Performing Arts Center, and shortening it to January 11–27. This followed weeks of warnings from the union of possible protests outside the theater over budget cuts that the University of Puerto Rico administration was considering that would affect university staff and employees. In response to the prospect of union and pro-statehood protestors, a line of police stood outside the theater opening night. Producers announced the formation of a third touring company on November 8, 2017, dubbed the "And Peggy Tour". It was to debut in a January 8–27, 2019 run at the University of Puerto Rico's Teatro UPR in San Juan, with Lin-Manuel Miranda reprising the title role, then to become a San Francisco production with a different lead.
Changes made between Off-Broadway and Broadway included the cutting of several numbers, a rewrite of Hamilton's final moments before his death, and a cutting-down of the song "One Last Ride" (now titled "One Last Time") to focus simply on Washington's decision not to run for a third term as president. The tenth release, a rendition of "Theodosia Reprise" by Sara Bareilles, debuted on the eve of Halloween 2018. It featured show orchestrator Alex Lacamoire on piano and Questlove of The Roots on drums. The song, sharing a moment between Aaron Burr and his daughter, was to appear in Act 2 but was cut from the final production.
Original Australian production
Miranda explained that it was "more of a scene than a song, the only scene in the [sung-through] show", and he wanted to reserve the impact of "at least one revelation" that could be experienced more fully onstage. Hamilton's endorsement of Jefferson in the 1800 United States presidential election ("The Election of 1800") results in further animosity between Hamilton and Burr, who challenges Hamilton to a duel via an exchange of letters ("Your Obedient Servant"). Hamilton writes his last letter in a rush while Eliza tells him to go back to bed ("Best of Wives and Best of Women"). Burr and Hamilton travel to New Jersey for the duel.
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In The Baffler, policy analyst Matt Stoller criticized the musical's portrayal of Hamilton as an idealist committed to democratic principles, in contrast to what he characterized as the historical record of Hamilton's reactionary, anti-democratic politics and legacy. For example, Stoller cited Hamilton as a leader involved in the Newburgh conspiracy ; his development of a national financial system which, in Stoller's view, empowered the plutocratic elite; and his use of military force, indefinite detention, and mass arrests against dissenters during the Whiskey Rebellion of 1791. In 2007, history writer William Hogeland criticized Chernow's biography of Hamilton on similar grounds in the Boston Review.
It premiered Off-Broadway on February 17, 2015, at the Public Theater in Lower Manhattan, with Miranda playing the role of Alexander Hamilton, where its several-month engagement was sold out. The musical won eight Drama Desk Awards, including Outstanding Musical. It then transferred to the Richard Rodgers Theatre on Broadway, opening on August 6, 2015, where it received uniformly positive reviews and high box office sales.
Hamilton, like some other Broadway musicals, offers a ticket lottery before every show. Initially, 21 front-row seats were offered in each lottery. Hamilton creator Lin-Manuel Miranda began preparing and hosting outdoor mini-performances shortly before each daily drawing, allowing lottery participants to experience a part of the show even when they did not win tickets. These were dubbed the "Ham4Ham" shows, because lottery winners were given the opportunity to purchase two tickets at the reduced price of one Hamilton ($10 bill) each.
It includes an inside look at not only Alexander Hamilton's revolution, but the cultural revolution that permeates the show. It also has footnotes from Miranda and stories from behind the scenes of the show. The book won a Goodreads Choice Award for Nonfiction in 2016, and the audiobook won Audiobook of the Year at the Audie Awards 2017 from the Audio Publishers Association. In 2016, Moraine Valley Community College started a Hamilton appreciation movement, Straight Outta Hamilton, hosting panels and events that talk about the musical itself and relate them to current events. Theatre scholars Meredith Conti and Meron Langsner have both published written analyses of the place of firearms and dueling in the musical. Rutgers University professor Lyra Monteiro criticized the show's multi-ethnic casting as obscuring a complete lack of identifiable enslaved or free persons of color as characters in the show.
The musical ends with Hamilton shaking Eliza's hand. Eliza then turns towards the audience and lets out a tearful gasp. Hamilton is a biographical sung-and-rapped-through musical by the American composer and actor Lin-Manuel Miranda. Composed over a seven-year period from 2008 to 2015, the musical tells the story of American Founding Father Alexander Hamilton. Miranda said that he was inspired to write the musical after reading the 2004 biography Alexander Hamilton by Ron Chernow.
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The workshop production was directed by Thomas Kail and musically directed by Alex Lacamoire. The workshop consisted of the entirety of the first act of the show and three songs from the second act. The workshop was accompanied by Lacamoire on the piano. The musical closes with a reflection on historical memory.
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